

Jae-in Hwan (he/they) is a queer & neurodivergent Korean-Japanese multi-disciplinarian based in ÅŒtautahi, Aotearoa (Christchurch, New Zealand). His work is politically driven with heavy emphasis on intersectional identities, and his goal is to subvert and transform dominant narratives in Western story-telling.Jae is the Creative Director of the not-for-profit collective, Strangekind Studio. Their sound design, writing, and directing credits include the award-winning audio drama, KIND (Best Fiction Podcast, Sydney Webfest 2025), the current production of MERCY, and guest editing for PROJECT GNOSIS by MQ Media.Jae's writing has appeared in publications such as Needle in Hay, Literati, Girls Will Be Girls, Voiceworks, and the NoSleep Podcast. Their plays have been performed at La Mama Theatre, Beta Fest, Mudfest, Melbourne Fringe Festival, and the Lyric Hammersmith.
Contact Jae via the form below
or at [email protected]

$300 USD
15 minute consultation call
2 minute demo with mixing, mastering, sound effects, & music
2 x revisions
Live direction available upon request & at additional charge
Client to provide own script
1 week turnaround from recording submission to final delivery
Slots available
Disclaimer: All payment is to be made through PayPal and calculated in USD. 50% upfront retainer fee is required. An independent contractor agreement must be signed by both parties before the retainer fee is paid.

$400 USD
30 minute demo & script consultation call
2 minute demo with mixing, mastering, sound effects, & music
Custom voice demo script with original characters created to client's specifications and strengths
2 x revisions
Live direction available upon request & at additional charge
Timing of delivery may vary depending on client's scheduling and availability
Slots available
Disclaimer: All payment is to be made through PayPal and calculated in USD. 50% upfront retainer fee is required. An independent contractor agreement must be signed by both parties before the retainer fee is paid.

$50 - $100 USD
15 minute consultation call
1 - 2 minute voice reel editing & mastering
2 x revisions
Client must provide relevant clips to use in the reel
5 day turnaround from clips submission to final delivery
Slots available
Disclaimer: All payment is to be made through PayPal and calculated in USD. 50% upfront retainer fee is required. An independent contractor agreement must be signed by both parties before the retainer fee is paid.

Professional rate: $50 per hour
Indie rate: $10 - $20 USD per finished minute or upon negotiation
Action heavy or complex editing indie rate: $30 - $40 per finished minute or upon negotiation
Depending on your budget & type of project, final rates may be negotiable
If you would like to work with Jae for a full season on a show, please enquire at [email protected] for a quote
Available for enquiry
Disclaimer: All payment is to be made through PayPal and calculated in USD. 50% upfront retainer fee is required. An independent contractor agreement must be signed by both parties before the retainer fee is paid.

Editing & proofreading
Annotated feedback & suggestions
Character creation
Plot development
Writing collaborations
Sensitivity reading (specifically for ADHD/neurodiversity, East Asian heritage, transgender & queer characters and stories)
Rates are dependent on budget & type of project
Available for enquiry
Disclaimer: All payment is to be made through PayPal and calculated in USD. 50% upfront retainer fee is required. An independent contractor agreement must be signed by both parties before the retainer fee is paid.

Please note many of Jae's credits appear under his legal name.
KIND: An LGBTQ+ Mythical Noir Audio Drama | Writer, Director, Sound Designer | Strangekind Studio | Winner of the BEST FICTION Award, Sydney Webfest 2025
MERCY: A Queer Eldritch Western | Writer, Director, Sound Designer | Strangekind Studio
The Wraiths of the Crown | Season 2, Episode 7 | Sound Designer | PROJECT GNOSIS by MQ Media
Awaken the Void | Season 2, Episode 9 | Sound Designer | PROJECT GNOSIS by MQ Media
I don't know what it is but it keeps screaming | Season 7, Episode 17 | Writer | The No Sleep Podcast
I am Half Dog, All Hate | Writer, Producer & Director | Mudfest
Cunt | Writer, Producer & Director | Mudfest
God's Gramophone | Writer | Snatches | Melbourne Fringe Festival
A Chair Called Amadeus | Writer | Snatches | Melbourne Fringe Festival
The Allegory of the Happy Women | Writer | Snatches | Melbourne Fringe Festival
Mermaid | Writer & Performer | Snatches | Melbourne Fringe Festival
Junkyard Race War | Writer & Director | Lost For Words | La Mama Theatre
Snatches | Melbourne Fringe Festival | Creative Director
A Subterranean Flesh | Writer | BetaFest: Theatre in Various States of Undress
TILT | Writer | earth. | Lyric Hammersmith
A Static House | Writer | Snatches | Melbourne Fringe Festival
Canyon | Writer & Director | Snatches | Melbourne Fringe Festival
Guilty | Literati magazine | Issue 2
sun spit tastes like… | Alien She Zine | Issue #1
this is to be human/thrive, burn, thrive | Burn, Thrive, Burn Anthology | Needle in the Hay
six oh oh: junkyard race war | Voiceworks magazine | Issue #103 BANG
Gold Film: an essay | Girls Will Be Girls limited edition print | Girls Will Be Girls
The best thing | Bonfire Park (zine and exhibition) | Curated by Alex Bennets

"Jae-In Hwan of Strangekind Studio is a treasure to work with. When I first listened to KIND, I was hooked with how everything comes together for his project from his soundscapes to how he lines up his dialogue. It’s full with detail down to the subtleties that you would be hard-pressed to find anywhere else in the audio drama realm.When we talked about collaboration, he was very enthusiastic to work on an episode of my series and was very communicative about ideas that could be implemented during post-production, which was even better than what I would come up with in the soundscape.The episodes he did for Project Gnosis, Seven and Nine, were among the best we ever had with both quantity and quality of sound design.I can not recommend Jae enough. His services are beyond worth it and I can’t imagine anyone more awesome to work with in post-production. He is also a skilled writer and showrunner for Mercy and KIND. I recommend listening to those to see examples about his approach to sound editing."Matthew Curran
Founder of MQ Media
Showrunner and Writer of Project Gnosis

WINNER OF THE BEST FICTION PODCAST AWARD FOR SYDNEY WEBFEST 2025
OFFICIAL SELECTION FOR NEW JERSEY WEBFEST 2025 & NEW ZEALAND WEBFEST 2025
"I binge listened to this entire show in two days, and it was the best thing I've ever done, even if I was sobbing at the end. I loved every joyful and painful second of this journey. The cast and crew were absolutely phenomenal in bringing this story to life; they were utterly brilliant. This show will always have a special place in my heart."
"Glad to have discovered this audio drama and to see it through fruition! The quality of this series is impeccable and I was completely invested while listening to each chapter. Kudos to everyone that has worked on KIND!!"
I'm feeling both heartbroken and naively hopeful right now. I'm so glad I picked up this podcast, it was truly a phenomenal experience to listen to a story so well crafted. I'm experiencing so many emotions that I don't have words for... Most importantly, I would like to send all the love in the world to the crew, everyone was so amazing. Thank you all so much for creating this incredible story!

"I binged Mercy in all of two days and I am OBSESSED. I haven’t been hooked on a podcast like this since listening to TAZ balance during its original run."
"This eldritch horror western by @strangekindstudio caught my eye immediately (I love a Weird West, clearly). Monster hunter Wayne Sawyer is like if Arthur Morgan met Geralt of Rivia, and Doctor Daisy Gray is like if Mulder met a homicidal long-haired cat. I love the way the characters embrace and turn well-trod tropes on their heads, and honestly all spaghetti westerns need more unfathomable sky jellyfish.""@strangekindstudio continues to absolutely blow me away with the complexity and care they put into Mercy. The world is multilayered, of course; the editing and sound design is incredibly artful; the characterization is thoughtful and meticulous, yes; but it’s the fact that they don’t shy from the worst of humanity—and the best—that makes this story a real masterpiece."